Drawing from retro-futurist aesthetics, this piece critiques our nostalgic view of human advancement through a quiet act of disruption. To use the table, the viewer must invert a terrarium, destabilizing the ecosystem within it for functional gain. The gesture is playful but uneasy, asking whether our desire for ease and progress is worth the environmental and ethical harm.

Materials are ash, sapele, aluminum bronze, glass, and organic matter.